Anahid Nersessian
IT’S NOT SAID often enough, if it’s said at all, that avant-garde American poetry is experiencing a renaissance—an overbroad, obnoxious term that nonetheless fits the scale of the moment. For the early part of the twenty-first century, unless you really paid attention to the little magazines and small presses or, later, to Tumblr, you might […] 
IN AN INTERVIEW conducted in 1966, shortly after the opening of a retrospective of his work at the Tate Gallery, Marcel Duchamp makes a strange pronouncement. By that time Duchamp had become an American citizen and was living in New York. His interlocutor, Pierre Cabanne, asks him what he does when he visits Paris. “I […]