• review • December 5, 2013

    Unbalanced tokens, check your syntax. Non-closure is at the end of this excerpt: exander Nazarya131 both published mea culpas for much of their negative book reviewing.107108

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  • print • Sept/Oct/Nov 2013

    I’m so pissed off after reading these books I can hardly type. But my ire begins with baseball—and the same is true for Andrew Bacevich, a retired Army colonel who lost a son in Iraq.

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  • print • Sept/Oct/Nov 2013

    “This is not a novel,” says Poul Hannover, witness to this amazing story of the Holocaust. “No fancy trimmings.”

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  • print • Sept/Oct/Nov 2013

    In our unstable neoliberal world, the venerable social ideal of equality is perhaps the most precarious commodity of all. To be sure, evidence of its absence abounds—in the casual enclosure and systematic auctioning of once-public goods, in the gaudy bailouts of our nonproductive financial sector, in the riotous indulgences of the 1 percent and the gnawing penury of the 99. And as the sphere of its exercise has narrowed to the vanishing point, equality seems to have been downgraded into the great dirty secret of our public life—only in contrast to the old Potter Stewart saw, fewer and fewer of

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  • print • Sept/Oct/Nov 2013

    At one point in Five Days at Memorial, Sheri Fink’s elaborately researched chronicle of life, death, and the choices in between at a New Orleans hospital immediately following Hurricane Katrina, hospital staffers begin, inevitably, to imagine how the made-for-TV movie of their ordeal would be cast. A nurse named Budo, “dark-haired with a heart-shaped face and thick eyebrows, said she wanted Demi Moore to play her. Her longtime colleague on the night shift, Cheri Landry, short and stout, with hooded eyes, arched brows, and an air of wisdom, would be portrayed by Kathy Bates.”

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  • print • Sept/Oct/Nov 2013

    The conservative counterrevolution in American politics has its roots, so the story goes, in a broad-based revulsion at the radical excesses and battles of the 1960s. That long right-wing ascendancy continues today in free-market supremacy and hyperindividualism: in sum, a wholesale repudiation of ’60s-movement values. This plot has become the conventional account of the era. Like any master narrative, though, it doesn’t tell the whole story.

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  • print • Sept/Oct/Nov 2013

    A decade ago, Sudhir Venkatesh inspired the insular world of academic sociology with American Project, his closely observed ethnography of the Robert Taylor Homes in Chicago. Venkatesh’s hard-fought insider access was hugely impressive: As he labored for years in the sprawling public-housing project, Venkatesh took participant observation to new heights, documenting the complex social networks that governed life in the Taylor homes.

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  • print • Sept/Oct/Nov 2012

    Among the course offerings announced by the University of Michigan in the fall of 2000 was an undergraduate English seminar titled “How to Be Gay.” Led by professor David M. Halperin, a well-known figure in queer studies, the class proposed to examine the Lavender Canon in all its mincing flamboyance: Judy and Liza, opera and Broadway, divas and drag, muscle queens and Mommie Dearest. “Are there,” Halperin asked, “a number of classically ‘gay’ works such that, despite changing tastes and generations, ALL gay men, of whatever class, race, or ethnicity, need to know them, in order to be gay?” Oooh

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  • print • Sept/Oct/Nov 2013

    As I sit down to write, it’s roughly day 3 of the Washington political class’s overheated response to the release of Mark Leibovich’s This Town, and day 800 or so of what that class regards as the real story: the chatterbox narrative surrounding Mark Leibovich’s This Town. Politico has come forward with its latest report on the surveillance data it’s been collecting on all things “Leibo,” as the rag calls him. Glancing over the dispatch, it’s clear that the crucial question on Washington’s mind is this: Will this saboteur—who has courted no end of damning disclosures from his sources via

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  • print • Sept/Oct/Nov 2013

    From the beginning of the South Asian crisis that culminated in the birth of Bangladesh in 1971, argues Gary J. Bass in this impressively researched book about a “forgotten genocide,” the major responsibility for what happened falls on two men—Richard Nixon and Henry Kissinger. While the president and national-security adviser directly collaborated in the secret bombing that touched off another genocide in Cambodia, the Bangladeshi crisis was more a study in conventional Cold War intrigues and personal piques than the Cambodia bombing had been—one reason, perhaps, that the full details of the US response are only now coming to light.

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  • print • Sept/Oct/Nov 2012

    IN 1983, ARTIST SOPHIE CALLE found an address book on a Paris street. Before returning it, she photocopied its contents, called the people listed, and asked to interview them about the book’s owner, whom she calls Pierre D. “I will try to discover who he is without ever meeting him,” she writes. Calle’s pursuit struck […]

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  • print • Sept/Oct/Nov 2012

    Singer and guitarist Chuck Brown invented go-go music in mid-’70s Washington, DC; it was an infectious blend of funk, Latin rhythms, and audience call-and-response that became the sound of African-American DC for decades. By the time of Brown’s death in May at age seventy-five, he had become the undisputed godfather of the genre, and a civic icon, even though go-go never found much of an audience outside the capital city. At Brown’s funeral, DC Council chairman Kwame Brown (no relation) began his eulogy in a defiant tone. “I am go-go,” he declared. “To the media, you better get that right.

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  • print • Sept/Oct/Nov 2012

    IF YOU DRIVE ACROSS the US or even anywhere outside the I-95 corridor, you discover that country music dominates the airwaves. New Mexico, Maine, or Montana—regardless of region, the radio twangs in tones redolent of Butcher Hollow, Kentucky. Country music is without a doubt this country’s music. Its cultural associations—the clothes, attitudes, and politics—also hold […]

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  • print • Sept/Oct/Nov 2012

    Francis Alÿs, When Faith Moves Mountains, 2002. It goes by several names and takes a range of forms, but as with so many protean phenomena, we know it when we see it. Participation-based art, social engagement, social practice: Art that takes relations between people as its medium is currently ascendant, with specialized MFA programs, new […]

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  • print • Sept/Oct/Nov 2012

    Seven years ago, trying to decide between two book topics, I was spending half my time interviewing magicians and going to magic shows and the other half interviewing shoplifters and going to shoplifting-addiction groups. But then came a moment when I began to wonder whether magic was a good subject for me: I was sitting with a magician—white and middle-aged, like so many are—in a coffee shop on the Upper East Side. When I asked how he had done a card trick in a show I had seen the previous night, he glared at me for a long moment. I

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  • print • Sept/Oct/Nov 2012

    John Baldessari with plaque from Cremation Project, 1970. Trying to make art creates a host of problems. One of the best ways of handling these, as John Baldessari seems to have realized in the mid-1960s, is to let the problems be someone else’s. Then art becomes like the news. “I just read it and laugh,” […]

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  • print • Sept/Oct/Nov 2012

    Not long ago I had a very foolish dream. I was sitting alone in a house when the phone began to ring in another room, a room in which my girlfriend, in turn, was asleep. I didn’t get to it before she awoke and answered it, annoyed, and of course it was for me. The woman on the line said something about something that needed to be done right away, but I couldn’t quite make out what she was saying. She seemed to know me and expected me to know her, and it all seemed quite serious, but I simply

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  • print • Sept/Oct/Nov 2013

    On page 102 of The Center Holds, former Newsweek columnist Jonathan Alter’s account of the 2012 election (and his second book about the presidency of Barack Obama), we learn that the president was facing a problem as his 2012 “reelect” approached: Liberals didn’t particularly care what happened to him. “Reenergizing the base was tough,” Alter writes. Fortunately, however, Obama got an assist in this task from right-wing governors such as Scott Walker of Wisconsin and John Kasich of Ohio, whose wars on public-employee unions and their pensions “proved to be powerful motivators for the base.” Clever Obama campaign people noticed

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  • print • June/July/Aug 2013

    When the US Supreme Court heard oral arguments over the constitutionality of Section 5 of the Voting Rights Act this past February, pundits and reporters used an all-but-obligatory set of phrases to describe the legislation. They characterized the Voting Rights Act of 1965 as a “landmark” and the “crown jewel” of the civil rights era, and noted that it still represents the “high-water mark” for both civil rights and voting rights. Yet in some sense, all the lofty rhetoric has come to obscure the real story of one of the Johnson administration’s signal achievements. The Voting Rights Act is now

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  • print • June/July/Aug 2013

    There are only two truly revealing sentences in Zev Chafets’s new biography of Roger Ailes, the founder of Fox News and message minder for a host of Republican presidents. They serve as bookends of sorts. The first, in the preface, informs us that the project at hand will be superannuated: “He intends to write an autobiography someday, and I imagine he is holding something in reserve.” The second appears 249 pages later, in the acknowledgments: “I am indebted to Brian Lewis, Fox News executive vice president for corporate communications, who was always willing to answer just one more question.”

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