• print • Summer 2025

    SEBASTIAN CASTILLO, THE AUTHOR of Fresh, Green Life, is also the name of the book’s narrator. A reader, reasonably, might start by thinking about autofiction as an animating principle, but that’s not really Castillo’s concern in this brief novel, nor was it the focus of his last, a hybrid of fiction and drama called SALMON […]

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  • print • Summer 2025

    In a 1996 interview with The Paris Review, the reporter and novelist John Gregory Dunne was asked why he chose to classify his 1974 book, Vegas: A Memoir of a Dark Season, as fiction as opposed to journalism. The book recounts six months Dunne spent alone in Vegas, taking a break from his marriage. Dunne, […]

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  • print • Summer 2025

    IN 1946 THE AUSTRIAN WRITER Marlen Haushofer began publishing fairy tales and short stories in newspapers and small magazines. Her prewar writings—stories, poems, chapters of novels—had all been lost, and during the war she wrote “not a single line.” The new stories were a pragmatic measure: they were written to be published, to supplement the […]

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  • print • Summer 2025

    OCEAN VUONG’S 2016 DEBUT POETRY COLLECTION, Night Sky with Exit Wounds, received a rave review from Michiko Kakutani of The New York Times Book Review, then the most important tastemaker in contemporary American literature. Rare enough for any book of poetry to receive critical attention from the NYTBR, but a debut collection? It was a […]

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  • print • Spring 2025

    AN OVERPOWERED REBEL casts his eyes up in terror at the warrior ripping him away from his grieving mother. Survivors on a corpse-covered raft at sea, dispatched by a vicious colonial government and abandoned by their superiors, stretch desperate hands toward the horizon, where a rescue may or may not be approaching. A peasant rebellion […]

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  • print • Spring 2025

    A BARELY PERCEPTIBLE WHIFF OF CONTEMPT laces Vincenzo Latronico’s Perfection. This slim, elegant novel was originally published in Italian as Le Perfezioni in 2022—Sophie Hughes’s sleek English translation was released by New York Review Books earlier this year. As the story unfolds the reader at first suspects and then finally finds herself praying that Latronico […]

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  • print • Spring 2025
    David C. Driskell, Woman with Flowers, 1972, oil and collage on canvas, 37 1/2 × 38 1/2". Image: © The Estate of David C. Driskell. Courtesy of DC Moore Gallery, New York. Collection of Art Bridges.

    YOU GOT got into my dreams and changed them into fantasies—  The stupor between erotic slapstick and stoic mortification that should subsume anyone sentient after reading the inconclusive, concussive epilogue of Nettie Jones’s 1984 novel Fish Tales tempts you to return, puzzled and undone, to page one, to see if you overlooked the exact pivot […]

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  • print • Spring 2025

    THE MAIN CHARACTERS of Katie Kitamura’s fiction are marginalized figures—middling middlemen—who work as translators or executors of other people’s plans. Their work often takes them far away from home, where much, as the saying goes, can get lost in translation. Her 2017 novel A Separation opens with its narrator on her way to Greece to […]

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  • print • Spring 2025

    IT’S NEVER BEEN A GOOD TIME to be anything other than a white cis male in this country. From there, we might debate which identities and preferences are the most persecuted but can probably agree that now is an especially terrible time for anything that’s not the muscled, racist, and American brand of, say, Joe […]

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  • print • Spring 2025

    I’VE BEEN WAITING TWENTY YEARS for this book. First published in 1982 by The Figures, a small press dedicated to experimental writing, Stephen Rodefer’s Four Lectures soon went out of print and entered legend. “Everyone’s favorite six-hundred-dollar book of poetry,” a wag at the Poetry Foundation dubbed it in 2014. Xeroxed copies were passed around […]

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  • print • Spring 2025

    IN HER RECENT BOOK WAVE OF BLOOD, Ariana Reines states the obvious: “It’s a big mistake to kill someone, one person, one person.” I pause on the word “mistake” there. An odd word: pared down, it means “to badly seize,” to reach out and wrap your fingers around a reality that is incorrect. It describes […]

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  • print • Spring 2025

    AMERICA IS A LAND OF BEGINNINGS, impatient, virginal, suspicious of foreplay. Sales are clinched on first impressions; books judged by covers; presidents, on their first one hundred days. The critic, novelist, and short story writer Lynne Tillman is an author who refreshingly resists our national logic of instant gratification. What might initially seem like a […]

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  • print • Winter 2025

    IN 2021, Texas lawmakers, feeling themselves under attack, launched a counteroffensive. The 1619 Project, a series of magazine articles that became a phenomenon (and an educational curriculum), presented slavery and racism as central to American history—and Texas, whose 1836 independence from Mexico was partly driven by the desire to allow slavery, was very much implicated. […]

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  • print • Winter 2025

    LET US START at the end, though it might feel strange at first: “Dugong.” That is the entirety of a one-word story by Joy Williams, also titled “Dugong,” which closes her new book, Concerning the Future of Souls. A dugong is a marine mammal of impenetrable placidity; also called the “sea cow,” they spend most […]

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  • print • Winter 2025

    “YOU ARE about to enter the text at hand. It slides through your fingers, but it doesn’t matter, someone else will have to carry me through to completion, a mountain guide, not you!” So Elfriede Jelinek, museless, delivers us unto her slippery magnum opus, The Children of the Dead, published in 1995 and last year […]

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  • print • Winter 2025

    SIX DAYS BEFORE CHRISTMAS, five judges in the French city of Avignon found Dominique Pelicot guilty of repeatedly drugging and raping his now ex-wife Gisèle over the course of nearly a decade. In meticulously organized and luridly titled videos discovered on Pelicot’s computer, investigators learned that the retired electrician had invited at least seventy-two other […]

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  • print • Winter 2025

    THE NARRATORS of Antonio di Benedetto’s “Trilogy of Expectation” blur further in each successive book, until they are all but effaced. In Zama,published in 1956, the narrator has a name (Don Diego de Zama), a location (the Spanish colony of Paraguay), and several exact dates (we encounter him in 1790, then again in 1794, and […]

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  • print • Winter 2025

    WRITTEN MORE THAN a decade after Stonewall but taking place five years prior to it, Jane DeLynn’s In Thrall is a grimly comic tale of dyke awakening. This 1982 novel, reissued by Semiotext(e), recounts the sexual relationship—at once pitiful, elating, and perverse—between the book’s first-person narrator, Lynn, a sixteen-year-old senior at a selective all-girls high […]

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  • print • Winter 2025

    SOME OF US are still getting over Alan Hollinghurst’s The Swimming-Pool Library. It’s been nearly forty years since the young aristocrat Will Beckwith sucked and fucked his way through an all-male London on the cusp of the AIDS epidemic. But for more than a few people I know, phrases from the novel can still conjure, […]

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  • print • Winter 2025

    MY MATERNAL GRANDPARENTS were born in the former Yugoslavia, a nation bloodily dissolved in 1991. I was one year old. A decade later, on Easter, I brought potica, a babka-like Slovenian pastry my mother always made on holidays, to my Indianapolis elementary school. “Hey,” I said. “Here’s some Yugoslavian holiday bread,” because that’s what my […]

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